A brief history of Fireplaces and style Before
the 15th century houses had an open hearth in the centre of main living
room. Logs were burnt resting on the bar between two “fire
dogs”. The introduction of canopies to guide the smoke
away led to Fireplaces being moved to the wall where the canopies were
easier to support. When much of England’s
woodland disappeared due to the demands of shipbuilding it led to widespread
coal burning and the introduction of baskets to hold the coal. Over the centuries
many technical and decorative changes were made to the Fireplace. Canting
of the sides of the hearth was introduced to reflect heat into the room.
There were reductions in the size of the hearth and flue to increase the
draw of air. The areas between the legs and the hearth or grate were lined with marble, slate or ceramic tiles. Picture panels were incorporated. The over Fireplace Mantel was dispensed with and picture or mirrors were hung on the chimneybreast. The Victorian period saw a number of changes in style. The High Victorian Style was a natural progression, begun in the Regency period, towards excessive embellishment leading to the ornate or cluttered look that most of us associate with the term "Victorian”. Victorian England was the first mass consumer society. Wealth grew rapidly with industrialisation as did the range and variety of mass-produced goods available. Fireplaces were made from cast iron, marble chimney pieces were prefabricated and pieced together. Fireplace Mantel-shelves became wider to accommodate clocks, candles and ornaments. The Gothic Revival was a reaction to the high style based on the medieval Gothic style. It developed partly from the severe Neo-Classicism of Palladian architecture, and partly from a romantic interest in the Middle Ages. The Aesthetic movement of the 1870s and 1880s rejected unnecessary ornamentation. It relied on simple designs with little unnecessary ornamentation. In the 1890s the Aesthetic movement gave way to the Arts and Crafts movement.
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